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With the discovery of electricity, sound recording, and electro-acoustics, the coupling of sound and sounding body is no longer inevitable, yet at the same time is rendered more intense than ever before.
In the digital age, sound finally became fully autonomous: As a pure stream of information it is now amenable to any method of synthesis, transformation, or analysis without the involvement of a sounding body in the conventional sense.
Technical/staging costs for CTM and eventual ORF musikprotokoll im steirischen herbst festival performances will also covered.A special note that last year’s winning projects, selected from over 300 submissions, will once again be presented live in the fall of 2014 as a performance or radio broadcast.The French radio collective P-node will partner-up with local radio activists and artists during the ORF musikprotokoll im steirischen herbst festival, to create an experimental radio laboratory in the festival’s host city of Graz, Austria (7 – 12 October).What are the controllable and uncontrollable entry points into the body, perception, sensation, and imagination via technology such as radio, Internet, mobile communication media, and via experiential spaces such ass concert halls, clubs or even one’s own apartment?What potential lies within the manipulation of daily sound environments, or of the interconnection of various collective and individual acoustic experiences?
CTM 2015’s theme thus shifts the focus from questions of music’s symbolic and cultural significance to questions of the use and functionality of sound and music as affective forces.